Showing posts with label IATSE. Show all posts
Showing posts with label IATSE. Show all posts

Wednesday, August 28, 2013

The Strathmore is Hiring an Assistant Lead Stage Technician

The Music Center at Strathmore, is a 190,000 square foot soaring structure that includes a magnificent world-class 2,000-seat Concert Hall, as well as a Education Center boasting dance studios, rehearsal halls, classrooms, and instruction studios, in addition to administrative office spaces. The Concert Hall has in excess of 150 performances annually.

The Assistant Lead Stage Technician (ALST) will assist as needed in the stage (carpentry) department. Duties will include the set and strike of the custom orchestra and choral riser system, musician chairs, music stands, pianos, soft goods, and other stage equipment as required. This position’s responsibilities include assisting as directed in the operation and maintenance of the Concert Hall stage systems including the stage lift system, adjustable acoustic system, and assisting in maintaining the detailed inventories of relevant materials and equipment, purchasing disposable equipment parts, and assisting in the long term planning for maintenance, repairs and equipment purchases.

When the Lead Stage Technician (LST) is unable to work a call the ALST shall assume that position as the lead with its responsibilities and hourly wage rate. Whenever the ALST works any calls other than when he/she is the LST, he/she shall be paid the assistant lead technician or key hourly wage rate.

This position which is hourly as required, will require membership in IATSE Local #22, and reports to the Production Stage Manager and Director of Operations.

Requirements for this position include a background in and experience with stage carpentry, properties, audio visual equipment as well as a basic knowledge of all aspects of production techniques, equipment, and facilities. A plus is rigging expertise or certification. Applicant must show willingness to be flexible in a new company and venue environment.

This position would also be a “second call position” (after the lead technicians) on calls not involving stage equipment set up or strike. Hourly wages, union benefits and work rules as per IATSE Local #22 collective bargaining agreement with Strathmore.

Strathmore Hall Foundation, Inc is a non-profit arts education organization and equal opportunity employer.

Send Letter of Application, Resume and Professional References to:

Strathmore Hall Foundation, Inc.
Attn: Director of Operations
5301 Tuckerman Lane
North Bethesda MD 20852-3385

Facsimile (301) 581-5149

Closing Date: When Filled

Friday, August 23, 2013

Stagehand killed in fall had lots of experience Springfest contractor says friend's harness was unhooked


The stagehand who died of injuries he received in a fall at the amphitheater in Snowden Grove Park last Thursday had had numerous rigging jobs without incident.

Chuck Cole, the owner of Cole Entertainment Services, the firm that had contracted to rig the amphitheater for a concert at Southaven's Springfest, said Charles "Chuck" Houston had worked for a number of years as a stagehand.

"He was very experienced," he said. "He had begun working (as a stagehand) in 1997 and had worked on a regular basis since 2002."

Cole and Houston were personal friends and played football together at Southaven High School.

Although DeSoto County Coroner Jeffery Pounders said that Houston was not wearing a safety harness and that he was working without a safety net, Cole said Houston had on a safety harness, "but it was not hooked up at the time."

He explained that high riggers -- the workers who work the superstructure high above the stage -- "have to unhook and then re-hook as they move from point to point about the building."

He said that Houston either had unhooked to make a move "or he may have been on a beam that had no safety line where he could hook up."

Houston inexplicably lost his balance and fell about 40 feet, slamming his head onto the concrete stage.

At the time, Houston was working as an up-rigger and Cole was his down-rigger. Down-riggers pass materials to the up-riggers as they are needed.

"I didn't see him as he lost his balance, but I saw him as he fell," Cole said. "I started CPR (cardio-pulmonary resuscitation) on him. He was a close friend."

Houston had been working alone on one part of the superstructure, but other riggers were also working on the job, Cole said. None of the other riggers were near Houston when he fell.

Allen Byassee, business agent and corresponding secretary for Local 69 of the International Alliance of Theatrical Stage Employees union in Memphis, said Houston's death was "a needless, senseless death."

He said IATSE-covered workers are required to wear safety harnesses or to use nets to prevent falls and serious injuries.

"If he'd had that safety harness on at the time, we wouldn't be having this conversation is what I'm saying," he said.

Byassee said that some contractors cut corners by not having adequate insurance coverage such as IATSE provides.

Cole said his employees are "fully covered" by insurance in Tennessee, Arkansas and Mississippi.

Southaven Police Chief Tom Long said his officers have looked at the accident. "As far as we can tell, everything points to just a really bad accident."

He said investigators from the Occupational Safety and Health Administration are also looking into the accident.

"OSHA is going to do their thing, but that's separate from us," he said.

Sunday, November 7, 2010

Stagehand work isn’t like other work


–As always, the views expressed here are my own, and are not to be considered an official position of IATSE or its Locals.  Nothing in this post should be considered, nor is it intended, to be disparaging to any of the parties involved.–

By now most of you have heard of the IATSE member who was taken off a call, apparently due to his clothing choice that day.  The story has been picked up by many conservative and anti-union outlets, as well as by some mainstream media, primarily because the call was to construct a stage for President Obama to speak from, and the clothing in question had the word “Bush” prominently on it.

An article and video report can be found here.

Now, I am not in L.A.: I didn’t work on the call, and I have no firsthand knowledge over what happened in this instance.  But as a professional stagehand, I can give you some realistic possibilities.

What most of those angry about this seem to forget, is that stagehand work isn’t like other work.  Our job is to help to present: something.  Whatever the something is.  Appearance sometimes does matter.  Usually, we will be told in advance of the particular call/job what dress code requirements there may be.  Sometimes we need to have a suit.  Other times no shorts, or no t-shirts with potentially insulting text/images.  Or sometimes just to be dressed in black, with no lettering or images of any kind.   There are also times when no information about dress is given, at which time you just assume you need clean clothes without profanity or references to male or female anatomy (in other words: “relax, but remember you aren’t in your backyard at home”).

That said, we are always aware that the dress code may change once on-site, for any number of reasons.  Sometimes, an issue can be resolved simply be reversing a shirt.  Other times, an inside-out shirt may also be a problem.

Something to keep in mind: most of the time an IATSE Local acts as any other traditional union: taking care of its membership who are employed at given companies.  But some IATSE Locals also serve as “labor providers,” advertising the services of their membership and acting as a hiring agent for one-time events (Need a stage crew? Hire our team!).  And sometimes the client hires a production company to deal with doing the production the client wants, and the production company hires the IATSE Local to provide the crew.  As such, there are different scenarios for who is in charge of the show/crew at any given time.

Now, many outlets are reporting that the stagehand in question was “fired” by the IATSE Local.  This is unlikely.  A union works for its members, not the other way around.  A member cannot be removed from the union by one person while on a work call.  Such a drastic move would require a vote of the membership.  More likely he was simply sent home from call.  Could this result in not getting paid for the call?  Yes, but unlikely if he was not informed of a certain dress code (reports indicate that the Local will make sure he is paid for the call if indeed he was sent home due to the what was written on his sweatshirt and hat).  If you show up for a call without the tools or clothing you were told to bring, you can be sent home without pay, as bringing what was asked is part of the job.

But let’s look at this from the “show” appearance point of view.  The most prominent wording on the sweatshirt is “BUSH.”  The text about the ship is much smaller.  From a distance, most people would not see that the shirt is referencing the ship, they would only notice the word “BUSH.”  If the client is the Democratic Party, do they really want to take the time to explain to everyone that may happen to see this shirt from a distance that it is referencing a Navy ship?

To look at it another way: if the stage was being built for a Microsoft event, and a stagehand arrived wearing a shirt with a large image of an apple on the front, does it matter if there is smaller lettering saying “ABC School PTA” on it?  The most noticeable part of the shirt is still the apple.  As we are in the business of presenting a certain look, it would not be unreasonable to assume that the representatives from our hypothetical Microsoft office would rather not have a reminder of one of their major competitors at an event they are paying for.  Just because there is no ill intent from the person wearing it does not change the first impression the shirt gives to representatives of the client, and in the end, the client is paying the stagehand.

Even a shirt with a large US flag printed on it may not be allowed, if it is considered distracting to the production.

For those conservative or anti-union outlets: If the crew was non-union, would you have reported this story?  The union status of a stagehand does not change the basic job description of a stagehand.  If I was put on a call to set-up a Republican event, and was wearing a black shirt with only the word “CHANGE” and a US flag on it, and was asked by the client to change my shirt or go home, would you be up in arms about it?  I doubt it.

Again, not all the facts in this particular case are known.  But our appearance on our job sites is not a freedom of speech issue, as our appearance is part of the job.  We are paid to help the producer present a certain look, and our job is to do that, regardless of if we agree with how they regulate that look or not.